ART AND RENAISSSANCE HUMANISM Essay Example | Topics and Well Written Essays - 750 words

ART AND RENAISSSANCE HUMANISM - Essay ExampleII. The female in Dante Gabriel Rossettis maidhood of the bloody shame vestal Without doubt, Dante Gabriel Rossettis first public oil icon The Girlhood of Mary has religious theme and symbols. In the visual rendering of the painting, it already impressed near sort of religiosity although it may not be that obvious until one interprets the symbolisms in the artwork and associate the description of the sonnets inscribed at the bottom of the frame. In addition, the production of another painting of the Virgin Mary in the succeeding year which is the Ecce Ancilla Domini which depicted the Annunciation of Angel Gabriel to Mary that she is approximately to have an stainless conception confirms the religious anthem of the painting (Cullari 3). Donnelly aptly described that Dante Gabriels Rossettis idea of females excellence such as the characterisation of a woman and her femininity in his first major public painting The Girlhood of Mary Vi rgin is refined, innocent and clean (476). In The Girlhood of Mary Virgin, Rossettis elevation of the female as a subject transcended beyond her aesthetic beauty of which Rossetti was known to be enamoured and included her sanctity as a woman to the point that she belonged to the deity. This may have been attributed to the various influences of Rossettis social milieu during the Renaissance era where the female is idealized as pure and innocent where Rossetti lavished it with religious theme in his first two works (The Girlhood of Mary Virgin and Ecce Ancilla Domini) to stress further how much he esteemed the female. The manner of which the subjects (Mary and St. Anne) were conveyed was startling if not unconventional. Rossettis portrayal of his female subjects transcended beyond the visual but also included verbal description through sonnets that were evenly beautiful and lofty. The representation of the female in Rossettis first two works, particularly the first (The Girlhood o f Mary) to his audience was as if to educate medieval parishioners about femininity by the authority of a priest using words and pictures for those who cannot read (Marsh 28). The combination of this two medium goes beyond the word-image opposition in that it systematically threatens the temporal-spatial divide through which images and texts are normally separated (Donnely 476). The meanings derived from the associated of the painting and the sonnet goes beyond the regular perception of narratives that disturbs the traditional perception in art with cipher to its progression and form. In a way, The Girlhood of Mary is a prelude and preparation of the Virgin Mary before she will bear the child deliveryman as announced by the angel Gabriel in the Annunciation or Ecce Ancilla Domini. The accompanying sonnet captured the intense segment of Rossettis thought and feeling that make the painting dense not only in the style and manner it was rendered but also in symbolism (Armstrong 462). III. Christian iconography in The Girlhood of Mary Virgin Rossettis painting The Girlhood of Mary is dense with symbolism. Almost every person and object in the painting suggests some form of symbolism and was not just placed in the painting just to serve a singular aesthetic purpose. The most noticeable symbolism in the painting is the mentoring of Marys mother, St. Anne. Typically, tutorship involves homeschooling that required a student to read. In the